![]() ![]() The lighting rigs on Blade Runner 2049 were absolutely massive. We went through almost 1,400 rolls of gel by the time we had finished shooting! For the lighting, we used soft sources and lots of gels on the lampheads to create the different color atmospheres. Roger achieved most of the look in-camera. Our friends at ARRI provided some stellar set photos and gave us insight into the lighting rigs set up by gaffer Bill O’Leary. We previously took a hard look at Roger Deakins‘s work on Blade Runner 2049. Image: Set of Blade Runner 2049 via ARRI. Oscar Nominations: 5 - Best Cinematography, Best Visual Effects, Best Sound Editing, Best Sound Mixing, Best Production Design.Ĭamera: ARRI Alexa Mini, ARRI Alexa XT Studio ![]() Image: Blade Runner 2049 set via Sony Pictures. (You can find previous nominees here: 2017, 2016.) Let’s dive into the cameras and lenses behind 2018’s Oscar-nominated films and see what made the list. Obviously, ARRI continues to lead the pack as the standard cinema camera package - and ARRI just celebrated it’s 100th anniversary. That includes finding out the gear these filmmakers and cinematographers used. Leading up to the Academy Awards, I always love diving into the production stills and going deep into the tech specs for many of the Oscar nominees. Top image: Set of The Shape of Water via K Hayes/20th Century Fox/Kobal/REX/Shutterstock. Dive into the cameras and gear used to capture all of the 2018 Academy Award nominees for Best Picture and Best Cinematography.
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